Good day;
So yesterday, you may wish to know, I ran into Monsieur Poirot, and discoursed at the Denver Art Museum together. The conversation was quite long; the beginning discussion was more engaged in out past exploits, but you will find the real interest was in the later dialogue. Here we were engaged in dialogue about our cases, and we came to the common agreement that a missing restoration painter and a strange piece of music blaring out music at the late hour of the night seemed hardly coincidental. However, we struggled greatly to overcome our ‘disagreements of style’, let us say; I was hired to investigate the disappearance of a painter who has worried his family, a case that I regard as worthy against one of a prank. Therefore, I wished to analyze that aspect with the greatest detail, since time on that end is short. Poirot, on the other, seemed intent on focusing on his single evidence since he decided he had the best lead for both parts of the case at hand; he wished to analyze that part in depth, which to me appeared a luxurious treatment of the little time I had. Out of our differences we decided to work on our own aspects to the best of our ability until our aspects join together – which is, perhaps, a polite way of stating that we were unable to come to an agreement over the handling of the case.
As such, I decided to wait until this day, when with permission the curator led me around the unfinished exhibition explaining to me the detail of the restoration artist’s work. Granted, he seemed to think of it as a test run of a tour and explanation, so much of the inspection was doused with tedium as to who they believed was the anonymous painter of the Dutch landscape, or where they got this Portrait of the Magnificent Don Juan, or why they would put on an exhibit on anonymous painters at all. He even led me through the gift shop – as if I was inclined to purchase one of his full-sized posters in tubes when I am in the middle of a missing person investigation! In fact, perhaps I would say that the most interesting thing I found was a device known as a staple gun out of place on the shelves behind the counter of the gift shop. I asked what it was doing in the gift shop. He had no idea; I did however find a clue as to its owner; it was emblazoned with a sticker on the handle for the G’Raj Mahal Cafe, with an address listed in Austin, Texas. Texas? Seems to be rather out of the way from Denver…
Further, written on top of it is a name Melissa Glaser. I asked the curator if he could find any record of a woman known as Melissa Glaser working for the museum. He later informed me that he could find none. Quite curious…
I will tell you if I find out anything else.
Holmes